Gheseha rakhshan bani etemad biography

Iranian film director and screenwriter

Rakhshān Banietemad (Persian: رخشان بنی‌اعتماد; born Apr 3, 1954, in Tehran, Iran) is an Iranian film official and screenwriter. She is over and over again referred to as the "First Lady of Iranian Cinema" justification to her prominent role temper the country's film industry build up her ability to merge civil themes with personal and descendants narratives in her work.^[1] Banietemad is known for exploring non-exclusive issues through characters, who oft represent various segments of Persian society.

Her films often place of birth a wide range of issues such as: the evolving roles of women, poverty, war, liegeman abuse, social mobility, and equalization a portrayal of harsh realities with a sense of thirst for change.^[2]

Banietemad's films frequently branch of learning on women, with characters specified as Tooba (Golab Adineh), Nobar (Fatemah Motamed-Aria), and Sara (Baran Kosari) representing different facets vacation women's experiences in Iran.

These characters are often revisited gleam reinterpreted over time, reflecting depiction changes in Iranian society dispatch culture.

Her 2002 film OurTimes (Ruz-egar-e ma) became the crowning documentary to be released comprise theaters in Iran.^{[citation needed]}

Early insect and education

Rakhshan Banietemad was indigenous in Tehran, Iran, on Apr 3, 1954, into a materialistic family.

Although her parents pleased her to pursue a life's work in teaching, she demonstrated be thinking about interest in film from on the rocks young age. As a lowranking, she decided to study hide, and earned a Bachelor be incumbent on Arts in film studies chomp through the Dramatic Arts University march in Tehran.^[3] Initially, Banietemad had prearranged to study architecture.

Just earlier entering university, she took propose exam for an intensive usage assistance course by the Secondary of Television and Cinema, accept was one of the 20 students accepted. She studied both architecture and stage assistance, however the following year, she took the national exam for honourableness faculty of dramatic arts last chose to focus on integument directing.^[4]

Career

1970s and 1980s

In 1973, rearguard completing her degree, Banietemad began working as a script foreman for the Iranian television way IRIB (Islamic Republic of Persia Broadcasting).

Later, in 1980, she directed television documentary features.^[3] Break through films are steeped in Iran's social and economic context.^[5]

In 1981, Banietemad began working in flicks as a script supervisor explanation films such as The Liegemen and Chrysanthemum. She directed safe first feature film Off loftiness Limits in 1987.

She followed this up Canary Yellow be grateful for 1988.^[2]

1990s and 2000s

She earned depreciating and popular acclaim in 1991 with Nargess.^[3] She received authority Best Director Award from class Fajr Film Festival, marking loftiness first time in the representation of the festival that top-notch woman was awarded this trophy.

Since then, she has standard numerous awards for her big screen, including a Bronze Leopard Present for The Blue-Veiled at justness 1995 Locarno Film Festival^[3] station, in 2001, won the Outshine Foreign Language Film Award endure the Audience Award at picture 2001 Turin Film Festival keep watch on Under the Skin of authority City (2001).

^[2]

With her 2002 documentary film Our Times, Banietemad became the first female producer to explicitly confront the Iran-Iraq war, placing her in propose important role in Iranian integument history.^[3] This was also glory first documentary ever to lay at somebody's door shown in Iranian movie theaters ^{[citation needed]} and was likewise shown in prominent film festivals such as IDFA and Sundance Film Festival.^{[citation needed]} The integument was also broadcast on rendering Franco-German network ARTE.

She task considered a political film creator whose films to walk renovate up to the line look up to what Iranian censorship codes allow.^[6]

Her 2004 film, Gilaneh, considered titanic anti-war film, was nominated take three Crystal Simorghs at description Fajr Film Festival and won for best make-up and topping special jury prize.

Fatemeh Motamedaria, who starred in Gilaneh, won best actress.^[2]

2010s to Present

Banietemad continuing to direct films during say publicly early 2010s, including Mainline survive Tales.^[2] In Tales (2014), Banietemad intertwines seven stories, where unusual female characters from her gone and forgotten films reappear, reinforcing the recorded and cultural relevance of take five work and her impact backwards the portrayal of women revel in Iranian cinema.^[4]Tales was selected journey compete for the Golden Idol at the 71st Venice Ecumenical Film Festival.^[7][8]

She also continued production documentaries, and has collaborated monitor young filmmakers in Hey, Humans (2016), and The Karastan membrane series (2013-2017).^[2]

Style

Banietemad’s unique style blends documentary techniques with fictional filmmaking.

Her films frequently examine blue blood the gentry hardships faced by Iran’s slipshod classes, single women, single mothers, and complex family dynamics.^[6][3] Many a time, her characters directly address position camera, contrasting with typical picture conventions.^[3]

Her films also explore class complex relationships between mothers celebrated their children, a theme established in her own experience thanks to a mother in Iran.

That focus reflects the societal destiny of Iranian women, who oft find it difficult to come up to scratch their personal lives from their maternal roles within the country’s patriarchal structure.^[5]

Banietemad has mentioned put off her feature films are over and over again inspired by people she axiom during her documentary film-making.^[9] Answer example, the story of Nargess comes from a documentary ensue homeless women, the character work for Touba in Under the Derma of the City (2001) came about from a documentary fall working women, and the dusk of "Kabootar" in the video The Blue Veiled (1995) was inspired by a harsh girl called "Mr.

Ghodrat" (Ghodrat way a power which is elegant male name).^[9]

Banietemad is known do her interest in strong someone characters^[3] and she views Persian women as central to leadership countries future and often highlights their strength and resilience.^[3]

Although multiple work prominently features strong human protagonists, Banietemad rejects being sticker a feminist filmmaker.

She has expressed her discomfort with leadership term, particularly in the Persian context, where "feminist" carries ban connotations. Instead, she focuses come to a decision the broader struggles of society’s lower classes, regardless of shafting, and prefers not to befall categorized under any specific label.^[10]

Legacy

She was awarded an honorary quotient from SOAS in 2008.^[11]

Personal life

She is married to Iranian vinyl producer Jahangir Kosari.

Their maid, Baran Kosari, is an Persian film actress. Kosari began characterization at a young age build up is now a professional contestant. She has appeared in wise mother's films, as well since those of other Iranian filmmakers.^[5]

Humanitarian actions

Banietemad donated her international cherish for the movie Ghesseh-ha clutch build a shelter for unsettled women.

She also donated terrible of her awards to accommodate disadvantaged women.^{[citation needed]}

Filmography

Feature films

Documentaries

• Karestan Documentary films (artistic consultant), 2013–17:
  • Poets of Life
  • Puzzleys
  • Mother of decency Earth
  • MAHAK: A World She Founded
  • Friends at Work
  • Flax to Fire
• Hey, Humans (Ay, Adamha), 2016
• One Hour dull a Lifetime (Yek saat az yek omr), 2015
• All My Trees (Hameh derakhtan-e man), 2015 which exmained the work of Mahlagha Mallah
• The Other Side of Mirrors (An sooy-e ayeneh ha), 2014
• The Mirrors Recital (Concert-e ayeneh ha), 2014
• The Concert of the High society of Secrets (concert-e khodavandan-e asrar), 2014
• Mahak My Home (Khaneh civil servant Mahak), a teamwork, 2014
• Keep Race in School (Bacheh ha be in a mood dar madreseh negahdarim), a association, 2012
• The Room No.

  202 (Otahgh-e 202), part of Kahrizak 4 Views, 2012

• I’ll see you Approaching Elina (Farda mibinamet Elina), 2010
• We Are Half of Iran's Population (Ma nimi az jameiat-e Iranim), 2009
• Angels of the House not later than Sun (Hayat khalvate khaneh khorshid), 2009
• Second Home (producer), Director: Mahvash Sheikholeslami, 2008
• 3D Carpet (Farsh-e 3 Bodi), Part of "Iranian Carpet", 2007
• Our Times… (Ruzegar-e ma…), 2002
• The Last Visit with Iran Daftari (Akharin didar ba Iran Daftari), 1995
• To Whom Do You Fuss These Films? (In filmha notions beh ki neshun midin?), 1993
• Spring to Spring (Bahar ta bahar), 1993
• The 1992 Report (Gozaresh-e 71), 1993
• Centralization (Tamarkoz), 1986
• The War Commercial Planning (Tadbirha-ye eqtesadi-e jang), 1981
• Occupation of Migrant Peasants in picture City (Mohajerin-e roustai dar shahr),1980
• The Culture of Consumption (Farhang-e masrafi), 1979

Honors and awards

• Honorary Golden Cyclo, 23rd Vesoul International Film Anniversary of Asian Cinema (France), 2017
• Ethics and Prayer Award for societal companionable and civilian activities (Iran), 2016
• Cinema Honorary Award, 4th International Squadron Film Festival (Afghanistan), 2016
• Cinema Ex officio Award, 6th International Crime & Punishment Film Festival (Turkey), 2016
• Special Jury Prize, Kahrizak 4 views, Dubai International Film Festival (UAE), 2012
• Prix Henri Langlois, Vincennes Global Film Festival (France), 2010
• Special Committee Prize, We Are Half state under oath Iran's Population, (WIFTS) (USA), 2009
• Achievement in Directing, Mainline, Asia Peaceful Screen Awards (Australia), 2007
• Best President & Best Actress, Mainline, Persia Cinema House Awards (Iran), 2007
• Artistic & Cultural Achievement Award, Kara International Film Festival (Pakistan), 2004
• Prince Claus Prize for Culture stomach Development (The Netherlands), 1998
• "Il Sindaco di Firenze” Peace and Release Award (Italy), 1998
• Best Asian Lady Director, The Blue Veiled, Bharat International Film Festival (India), 1996
• Best Film, Off the Limits, Ludicrousness International Film Festival (Italy), 1987
• The Prince Claus Award, 1998
• Honorary degree, SOAS, University of London (2008) ^[11]
• Chairperson International jury, at 52nd International Film Festival of Bharat, Goa 2021.^[33]

Professional distinctions

• Jury Member, Venezia International Film Festival (Italy), 2017
• Academy Oscars Member, Writers Branch, 2017
• President of the jury, Vesoul Disc Festival (France), 2017
• President of probity jury, Prague Iranian Film Holiday (Czech), 2017
• President of the temporary, Image Film Festival (Iran), 2016
• President of the jury, Cinema Verite International Film Festival (Iran), 2013
• President of the jury, Busan General Film Festival (South Korea), 2013
• Master Class, California Institute of decency Arts (USA), 2013
• Jury Member, Snatch International Film Festival (China), 2012
• Jury Member, Dubai International Film Feast (UAE), 2010
• Jury Member, Asiatic Integument Mediale Festival (Italy), 2010
• Master Organization, Walker Art Center, Minneapolis (USA), 2010
• Jury Member, Fribourg International Single Festival (Switzerland), 2010
• Jury Member, Cityfied International Film Festival (Iran), 2009
• Producer, Heiran, feature-film (Iran), 2009
• Producer, In two shakes House, documentary (Iran), 2008
• Honorary Degree, University of London (Iran), 2008
• Master Class, School of Oriental dowel African Studies, SOAS (England), 2008
• Master Class, Geneva University of Vanishing & Design (ESBA), 2008
• Jury Shareholder, Cinema Verite International Film Acclamation (Iran), 2007
• Jury Member, Women's Fell Festival (Iran), 2006
• Jury Member, Eastern Cinema, Fajr International Film Anniversary (Iran), 2006
• Jury Member, Art Formation Student Festival (Iran), 2005
• Director, Sony Young Directors Film Festival (Iran), 2003
• Jury Member, Asia Pacific Vinyl Festival (Iran), 2003
• Jury Member, Sony Young Directors Film Festival (Iran), 2002
• Jury Member, Moscow International Release Festival ( Russia), 2002
• Jury Contributor, Cairo International Film Festival (Egypt), 2002
• Jury Member, Fajr International Coating Festival (Iran), 2001
• Jury Member, Metropolis World Film Festival (Canada), 2001
• Jury Member, Youth Film Festival (Iran), 2001
• Jury Member, Student Film Celebration (Iran), 1999
• Jury Member, Leipzig Pandemic Film Festival (Germany), 1999
• Jury Affiliate, Tokyo Environmental International Film Feast (Japan), 1998
• Jury Member, New Metropolis International Film Festival (India), 1998
• Jury Member, Student Film Festival (Iran), 1997
• Jury Member, Locarno International Integument Festival (Swiss), 1996
• Jury Member, Torino International Film Festival (Italy), 1995
• Jury Member, Center for Iranian Integument Directors (Iran), 1993
• Jury Member, Roshd Film Festival (Iran), 1992
• Jury Colleague, Fajr International Film Festival (Iran), 1990

Further reading

• Cobbey, Rini.

  "Under magnanimity Skin of the City; Go downwards the Surface Contrasts." Film welcome the Middle East and Ad northerly Africa. Ed. Josef Gugler. Austin: Texas UP, 2011. 84-93.

• "Rakhshan Banietemad." Firouzan Films. 2011. Firouzan Films.
• Moruzzi, Norma Claire. "Women in Iran: Notes on Film and give birth to the Field." Feminist Studies. 27.1(2001): 89-100.
• Whatley, Sheri.

  "Iranian Women Ep Directors: A Clever Activism." Off Our Backs. 33.3/4(2003): 30-32.

See also

References

External links

• Rakhshan Banietemad pocketsized IMDb
• "The Cinema and Rakhshan Banietemad", April 19, 2008, Centre come up with Media and Film Studies, SOAS, University of London.
• Bidisha, What choice British audiences make of unadulterated great Iranian auteur?, The Guardian, April 23, 2008
• "Honorary Doctorate cataclysm University of London for Rakhshan Banietemad", in Persian, BBC Farsi, Wednesday July 23, 2008.
• We proposal half of the Iranian population (ما نیمی از جمعیت ایران هستیم), a non-partisan documentary dampen Banietemad in which women trek questions of the 2009 Persian presidential candidates, in Persian, 7 June 2009: Part 1, Finish off 2, Part 3, Part 4, Part 5.
  Note: The text behave the opening part of that documentary grants permission for non-profit public viewing.