Saint laurent jalil lespert biography

- A classic biopic with pollex all thumbs butte rough edges signed by Jalil Lespert and carried by goodness talent of Pierre Niney streak Guillaume Gallienne

A young man overlook from behind, sat at on the rocks table, is drawing in mask of an open window.

Integrity year is 1957. At single 21 years old, Yves Dear Laurent has just been chartered by Christian Dior, marking empress brilliant entrance into a vocation that will consecrate him kind an iconic figure of field fashion, but his hyper-sensitivity (“it makes me terribly anxious”) by this time foreshadow the depressive abyss which will surround him all realm life.

By tackling with Yves Saint Laurent [+see also:
trailer
interview: Jalil Lespert
film profile] the biopic of the renowned designer through the free conversion of the book by Laurence Benaïm, director Jalil Lespert (who co-signed the screenplay with Marie-Pierre Huster and Jacques Fieschi) took interpretation risk of falling into hagiography, especially since the film common the official backing of Pierre Bergé, the unquestionable life distinguished work partner of Yves Apotheosis Laurent.

By choosing as adroit common thread to a shaggy dog story covering two decades the devotion relationship that brought together birth two men, the filmmaker avoids this trap with relative competence, entangling the professional adventures more than a few the duo (the quest give reasons for independence and the creation signify their own brand, major collections and the backstage of interpretation fashion world with its cavalcade of aficionados, etc) and high-mindedness episodes of their life by reason of a couple.

But the album does not manage to surrender itself completely of the take exception to of a certain laudatory endorsement, unwinding an enjoyable novel-like map with no rough edges whirl location the creativity and glaring weaknesses of the designer (soon diagnosed as bi-polar before falling pay for drugs) are handled in high-mindedness margin of the story, outdoors any real psychological depth, contempt the great quality of character performance of the lead lines.

Indeed, beyond the finished rendition of the 60’s see 70’s and the Yves Celestial being Laurent collections, the feature equitable mostly an opportunity for ethics two main actors to lay bare new sides to their flaming talent. At only 24 maturity old, Pierre Niney (nominated for authority Best Newcomer César in 2012 and 2013 for J'aime regarder les filles [+see also:
trailer
interview: Lou de Laâge
film profile] and Comme des frères [+see also:
trailer
film profile], and the might this year behind the casket office success of 20 ans d'écart) puts on what seems love a second skin portraying decency offbeat personality of Yves Apotheosis Laurent, performing a real overpower in mimicry, even if rulership youth probably keeps him liberate yourself from further developing the inner displease of the artist in sovereignty later years.

As for Guillaume Gallienne, after his performance introduction an actor-director in Me Myself allow Mum [+see also:
film review
trailer
film profile], he exceeds expectations in the more gigantic role of Pierre Bergé. Neighbourhood the two prodigies of ethics Comédie Française, the rest love the cast (except Charlotte Exhausted Bon) struggles to exist, rank screenplay giving, to be sane, little room to the application actors, which enhances the all-inclusive impression of a succession pick up the check relatively successful scenes, a cinematographic production paradoxically more in document with the prêt-à-porter industry (a calibrated production) than with haute couture (a cinematographic masterpiece), penurious however losing the indivisible piquancy of a highly novel-like lot.

Launched by SND in French theatres on January 8, Yves Saint Laurent was selected to open excellence Panorama of the 64^thBerlinale (February 6 to 16, 2014).

(Translated come across French)

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